1/35 Whippet brings WWI mud and a dog's name to life

Oct 23, 2026 Last reply: 11 hours ago 3 Replies
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The trickiest work here looks to be the fine detail at small scale: rivets, vision ports and engine deck bolts all needed hand-painting with a diluted mix, and the tank name had to sit crisp on curved armor. Sergio Solo handled it patiently, cutting a custom paper stencil for the VANILLA lettering, taping it in place and airbrushing Deep Yellow through it, then tidying the letter edges with a hobby knife. A steady hand with a brush on every tiny fitting rounds that out.



The finish goes on in layered steps. A coat of UMP Black Primer covered the body, track runs and detached exhaust pipe, then a hairspray layer went over the top to enable chipping. The base color was mixed from 75% Khaki and 25% Medium Olive and airbrushed with subtle modulation for highlights and shadows. Masked sections of the front hull and track horns were sprayed white and Carmine Red for the recognition bands, later chipped with a wooden toothpick and water, and a gloss coat went down before decaling.



Plenty of small touches stand out. A B/6 decal was flipped upside down to read B/9 beside serial number A592, sealed with Micro Sol, which strikes me as a lovely bit of improvisation! The exhaust was wrapped in white sewing thread fixed with cyanoacrylate glue, and loose fuzz was singed away with a lit match before the pipe was reattached. A 4B graphite pencil brought out metallic edge highlights and track wear, a blend of 20% PVA glue and water topped with fine sand builds dried mud on the lower sponsons, and black pigment near the exhaust and engine areas reads as soot.



One thing stays unresolved. The rear marking reads A352 in the images, yet the serial A592 is also attached to that marking, and which figure actually ended up on the finished tank remains unclear.



Project by Sergio Solo. Watch it on their YouTube channel:

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Flipping the B/6 decal to create B/9 seems a smart way round a scarce marking, and sealing it under the satin varnish should keep the reversed film invisible. The trade-off is that the digits sit on the underside of the film, and that puts any silvering risk right where the eye goes. For a Whippet with limited marking choices, I think the workaround earns its place.

How did the maker keep the toothpick chipping on the red and white recognition bands from biting through the hairspray layer into the primer? Chipping with water on such small masked shapes looks delicate, and I wonder whether the result depended more on pressure or on timing.

I would suggest extending the pastel chalk treatment upward. Brushing light yellow and white powder over the upper hull and drying it with air from the airbrush could fade the olive green the same way the tracks were treated, and that would tie the whole finish together above the mud line.

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