Frigate 75158 assembled brick by brick in stop motion with added lasers

Oct 26, 2026 Last reply: 1 day ago 4 Replies
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Most set showcases either unbox the finished model or run a quick timelapse of hands snapping bricks together. This one takes a different route: every step of the 937-piece build gets its own frame and the ship appears to assemble itself, with the completed hull then spinning on a turntable to show every exterior angle. That pairing of build film and showcase seems to me the stronger of the two approaches.



The way it is put together is worth studying. The stop motion lays in interior command modules one after another, then adds the front cockpit section, and later opens the side panels to reveal the minifigures. Under the skin, the chassis relies on Technic beams, pins, plates and internal gearing, with side framing and top-mounted turrets above. The finished vessel has a rounded cockpit with small forward-facing cannons at the front, a raised command tower at the rear, and lateral outriggers carrying twin engine thruster blocks. The two-tone grey palette reads well against the plain backdrop, and the neon-green translucent thruster nozzles give the rear a real focal point. The five included minifigures get their moment too.



On the production side, the maker shoots with Dragonframe for photos and animation checks, edits in the Adobe CC suite, and used AfterEffects to create the blaster lines that fire forward from the ship.



One open point remains: the maker is still in doubt about the pacing of the stop motion, and is also chasing the origin of a visual problem. A new lens was bought to improve light consistency, and the next video will test whether it solves it.



Project by motiontroopers. Watch it on their YouTube channel:

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Filming the side panels opening to reveal the minifigures midway through the assembly seems a smart call to me. It breaks up the long build with a payoff and uses a feature the set already has instead of adding anything extra. The trade-off is that every panel opening needs its own run of frames, which must have stretched the shooting schedule considerably.

Does anyone know how the blaster lines were produced for the firing shots? They look like they sit on top of the footage rather than being part of the brick animation itself, and I am curious whether that was handled during shooting or layered in afterwards during editing.

The maker has said the lasers were created in AfterEffects. The same comment notes that the full Adobe CC suite was used for the video editing, while Dragonframe handled taking the photos and checking the animations. Beyond that, the exact technique for the blaster lines has not been explained anywhere.

Since a new lens has been bought to improve light consistency, a short test shot of just the forward turrets would be a useful next step. The origin of the visual problem around them is still unexplained, and isolating that area in a quick clip could show whether the lens change clears it up before the next full video is made.

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