Engine/controller --- What can you recommend, please

An unusual request. ... I want to produce a controllable moving sound source for a science experiment. What I envisage is a small loudspeaker mounted on top of a locomotive engine (which need not look much like a locomotive!). In fact, the more box-like the housing over the actual engine, the better it is likely to be for the experiment. I will be running the machine over only 3 or 4 metres of track at most, either in a straight line, or a semi-circle, and the wires to the loudspeaker will probably be very light and rigged from very high up

Good (accurate) speed control, good running at speed (not likely to derail), quiet running, and rapid accelation are desirable in that (decreasing) order. I can probably organize things so that the engine is hidden in a foam tunnel and only the loudspeaker shows through, so as to deaden the sound from the train itself.

HO gauge seems about the right size.

Can anyone suggest what combination of engine (make/model), and controller I might look at, and how much it might cost. AU$500 is probably achievable if that is what it takes, AU$1000 is *very* difficult.

Cheers,

-- Mark R. Diamond

Reply to
DIAMOND Mark R.
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Reply to
Macca

Hi Mark, Just a thought What about a loco & a flatcar of some sort to place the speaker on & while I'd love to say NSWR I would guess an American outline may be cheaper, thought Austrains have the NSW 81 from $159.00

Cheers Alex...

Reply to
Alex Nadalini

Oops - should be the 80 Class - sorry about that

Cheers Alex...

Reply to
Alex Nadalini

From a UK point of view, you could do a lot worse than something from the Bachmann Branchline range. All these offer good, controllable running. I was thinking of the 08 shunter, but if you need fast speeds, then this is no good. But its slow speed control is excellent.

I don't know if you can obtain 'Gaugemaster' controllers in Australia, but these offer excellent control across the speed range. Although, they don't come particularly cheap.

Instead of wires to the speaker, have you thought about stringing up some two-wired improvisation of catenery? You could have two wires parallel to the tracks and use a couple of model working pantographs to connect the speaker to the sound source. Just an idea!

HTH,

Regards Chris.

Reply to
Chris Rogers

Many thanks to all who replied. I really appreciate the detailed comments and the suggestions. I shall follow up all of them.

-- Mark R Diamond Vision Research Laboratory The University of Western Australia

Reply to
DIAMOND Mark

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