Hand-Forged Two-Pronged Grill Fork from One Spike

Oct 18, 2026 Last reply: 22 hours ago 4 Replies
Jump to replies (4)

This one caught my attention: a hand-forged steel fork with two prongs, made as a commission. The working end is what sells it for me. The shank splits into two curved tines with sharp points, and that curved, pointed layout looks ready to actually grip food at the grill rather than just sit on a hook.



The stock story is the standout. Everything came from a single spike, with no forge welding involved. The original spike head survives at the base of the handle, where it serves as the pommel. Just above that base, a hole drilled through the metal secures a looped leather hanging strap. Keeping the head intact seems a smart call to me; it leaves a visible trace of the starting material in the finished piece.



The handle shows real care. The lower section carries a decorative spiral twist, and above the twist the shank runs straight and faceted. That change in texture along the length is a detail I appreciate. Near the base of the shank, an indented touchmark is stamped into the steel, a quiet signature on the work.



One lesson worth passing on comes straight from the maker: do not put shoulders on before drawing the stock out. The first two attempts broke that way. Knowing that, this finished fork reads as a hard-won success in my eyes.


How did the maker go about splitting the shank into two tines? That transition from the solid faceted section to two separate curved points is the part I would most like to hear explained, because the rest of the flow from spike head to sharp points looks very clean.

My favourite choice here is leaving the spike head in place as the pommel. It costs nothing in material and it documents where the fork began, right where the hand rests. The trade-off, as I see it, is that you inherit whatever shape the head happens to have, so the handle end is fixed before you even start.

If the maker tries another one, I would suggest moving the spiral twist further up the shank, between the faceted section and the tines. It would break up that long straight stretch and give the piece a different rhythm, while keeping everything else the same, including the single-spike stock and the leather strap at the base.

On the split into two tines, the maker has not said how it was done. The only process note shared was about sequencing: put the shoulders on after drawing the stock out, not before, since the first two attempts broke when the shoulders went on early.

Join the Discussion

Have something to add? Share your thoughts — no account required.

Didn't find your answer?

Ask the community — no account required