Painted Kida figure on a rock pool base

Oct 20, 2026 Last reply: 1 hour ago 4 Replies
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When it is all together, this piece earns a slow turn: a painted figurine of Princess Kida from Atlantis: The Lost Empire, barefoot with crossed legs on a circular base styled as a rock pool. Moss patches, lily pads, cascading water and sculpted glyphs on the rim give her somewhere worth standing, and on the motorized pedestal under blue lighting the whole thing reads as a proper display centrepiece.



The making of it looks methodical. The CA3D Studio model went onto an Anycubic Photon Mono M7 Max as disassembled gray resin parts mounted on support blocks, took a flat black spray primer, then got airbrushed base highlights and water effects followed by a gloss clear. Stone and moss were textured and drybrushed, flesh tones were layered through the airbrush and sealed flat, the fabric picked up several blue shades, and bronze went onto the armband, earrings and necklace clasp. Assembly happened only after painting, and that ordering seems like the patient way to work.



The close-up work is what stands out for me: eyeliner, eyelashes, blush shading, parted lips with teeth, gold drop earrings, a cord necklace and a brown cord wrap in the hair. Gloss varnish on the eyes, mouth and chest pendant gives those spots a wetness the rest of the figure does not have.



Two things stay open. The face tattoo was skipped, with worry about ruining it and a nod to the sculptor's take as cover, and the skin came out paler than intended despite a second mix, darker in person but still less tanned. The narration also admits struggles with drybrushing and color opacity, adjusted along the way. And as a first video, the microphone was poor, with a better solution planned but not yet chosen.



Project by ManChildModels. Watch it on their YouTube channel:

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The water on the base looks wonderfully smooth in the finished shots. Did the maker spray the cascading water and the rock highlights both with the airbrush, or was one of those done by hand? I keep trying to picture the workflow on that base.

Restricting the gloss varnish to the eyes, mouth and pendant strikes me as a sharp decision. Those three spots are small enough that a shine reads as wet and lively rather than plasticky, and keeping it off the larger painted areas avoids that glazed look a full gloss coat can give a figure.

For a future repaint of the skin, I would suggest building the tan gradually in thin airbrushed layers instead of swapping to a different single mix. Since the second mix still landed paler than intended, slowly stacking warm layers through the same airbrush setup seems more likely to creep toward the shade the maker wanted.

Both, as far as the maker has shown: the water effects on the base and the highlights on the base went through the airbrush. So the smooth sprayed finish covers the rock highlights as well as the flowing water, not just one of the two.

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