The detail that caught me off guard was the translucent purple resin magic swirl effects worked into the assembly. For a test print of a sculpt, that is a bold extra, and it makes an unpainted figure feel alive even before any paint touches it. The engraved name on the base is a nice finishing touch too.
The build itself is a proper multi-part job. The model comes from another designer's sculpt and splits into 22 printed pieces covering the legs, skirt, torso, arms, head and ravens, printed across an Anycubic Photon P1 and an ELEGOO Saturn 3 Ultra using Conjure Sculpt Beige and Rigid Clear resins. All of that came out of just 207 ml of resin, which seems very economical for a figure of this size.
The process is thorough. Parts were washed in an ultrasonic cleaner, supports came off by hand, and curing happened inside a custom laser-cut plywood chamber lined with multiple UV LED strips under purple light. Connection points and surfaces got smoothed with a handheld rotary tool, with sanding done in front of an active dust collector vent while wearing black nitrile gloves. The pieces were then laid out on a cutting mat and press-fitted together, and the finished figure rotates on a turntable at the end.
The obvious open point is that the figure is unpainted, since this run was a test of the sculpt rather than a final paint job. I would love to see how the purple swirls look once colour enters the picture.