Ferdinand tank build told through stop motion

Oct 13, 2026 Last reply: 2 days ago 3 Replies
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The detail that got me before anything else: the craft knife in this build has googly eyes stuck on it. From the very first cut into the box, DetailScaleView treats every tool on the green grid mat as a cast member, and that playful tone carries the whole thing. It is still a genuine, careful kit build underneath the jokes, which is what makes it work so well.



The subject is the Zvezda 1/100 German Tank Destroyer Ferdinand, credited at the end under the nickname Ferdie. The grey sprues come bagged, and the parts list covers the casemate superstructure, an 88 mm gun barrel, suspension tracks and a lower hull. A Swann-Morton knife handles the box opening and the sprue cuts, and Tamiya liquid glue does the joining. The stop-motion framing makes the components crawl together piece by piece, which suits a small scale like this one nicely.



The finishing follows a proper order. A text card announcing primer first leads into a smooth grey coat, then the model receives its two-tone dark yellow and green camouflage, with dark washes worked into the panel lines. The paints come from dropper bottles of Ammo MIG acrylics in the late German set. My only open question is where the finishing ends: after the camo and washes the sequence moves straight to the finale, so anyone hoping for extra weathering stages will not find them here. At 1/100 that restraint may be deliberate, though I would have enjoyed one more dirtying pass.



The closing is the best part. Ferdie climbs a cylindrical wooden block, spins a full 360 degrees to show off every angle, then rolls away, at which point a pair of googly eyes appears on the block itself. The credits present the kit, knife, glue, paints and stand as characters, all set to an upbeat instrumental track with no spoken words. A charming way to document a small build.



Project by DetailScaleView. Watch it on their YouTube channel:

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Presenting the tools as characters in the credits is a clever touch, and giving the knife a face from the start sets it up. The trade-off is that the humour does some of the storytelling work that narration would normally do. For a silent, music-only format that seems like the right call to me.

How long did the stop-motion capture take for the assembly stages? Getting parts to appear to creep together on a small 1/100 hull, with the tracks and the gun barrel lining up cleanly in each frame, looks like slow work. I would love to know how many frames each stage needed.

I would love to see the same treatment given to a larger scale Ferdinand. The dark panel washes and the two-tone camo would read more strongly on a bigger hull, and the tank climbing the wooden block would have even more presence. Same googly-eyed knife, same music, just more room for the details to breathe.

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