Lettering on a curved part usually ends up stretched or squeezed toward the edges, and most guides simply accept that. Papooch's approach instead borrows the Sheet Metal workspace, and the result keeps dimensions close to true even across a doubly curved form. That feels like a genuinely different path compared with the projection tricks people normally settle for.
The workflow itself is neat. Two sketches in perpendicular planes capture the model's profile curves, with straight tangent lines joined by fillets, and flange bodies are generated from those profiles and renamed in the browser tree. The text sits on an auxiliary flat body and is cut shallowly into its face. Split Face then projects the lettering onto the curved flange, the body is unfolded, the lettering is projected and cut onto the flat pattern, and everything is refolded. Back on the original object, Split Face uses the letters with Closest Point, and Press Pull debosses the text.
The demo is a rounded, hollow bowl-like shape with a glossy red exterior, carrying embossed black text reading 'I Love Fusion 360' around its curved side. It is a good showcase, since a bowl is exactly the kind of form where side distortion normally ruins lettering.
One trade-off stands out: the method is demanding on the processor, and Papooch would not recommend running it inside a heavy design. There is also an open question, since the maker suspects the auxiliary bodies could be eliminated by projecting onto vertical-plane sketches, but that has not been confirmed yet.
Project by Papooch. Watch it on their YouTube channel: