Brick-built Venom lettering with weaving tendrils

Oct 13, 2026 Last reply: 1 day ago 4 Replies
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Lettering displays usually go one of two ways: printed or stickered letters, or flat stacks of bricks that look blocky from the side. This work-in-progress takes a different path. The word Venom is spelled out in brick-built letters, and each letter is assembled from plates, slopes and tiles in a light grey shade. The whole scene rests on a flat black baseplate with a smooth finish.



The construction is what grabs me. Clear rod supports keep every letter standing upright, while black tendril pieces curve through the lettering in a horizontal sweep toward the right side. Weaving the tendrils between the letters rather than looping them around the outside pulls the figure work and the typography into one piece, in my view.



The character work stands out too. A black Venom figure with elongated, multi-jointed limbs, plus tendrils and claws, perches on the left section of the word, and it is paired with a white web element. A standard Spider-Man minifigure in a red and blue suit hangs from one tendril near the letter m, frozen mid-air with limbs bent. Nothing electronic or motorized shows up anywhere on the display.



It is openly unfinished. The maker says this is not the final version yet and plans to share the next stage of the model, with instructions apparently coming once the build is done. I am curious how the whole composition settles in that next pass.


Pairing the Venom figure with a white web element is a clever pick in my opinion. Nearly everything around it is black or grey, and that single white shape gives the eye a bright anchor point right where the largest figure sits. The trade-off is that any misalignment in the white piece would show badly against the darker parts nearby.

How are the letters kept standing? I am picturing the clear rods running up behind each letterform, but I would love to know whether they anchor into the baseplate at several points or just one. The tendril pieces threading through the letters must add some weight as well.

The maker has not gone into the anchoring detail, so I can only repeat what has been shown: transparent support rods hold the letters upright on the black baseplate. How those rods attach, or how much load the tendrils add, has not been said anywhere.

One variation worth trying: nothing on the display is motorized right now, so a slow motor turning the baseplate would let people take in the tendril sweep toward the right side from more than one direction. It would suit a piece this sculptural, and it would not disturb the grey letterforms at all.

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