When this setup is working, it is chasing drift cars around an asphalt racetrack from the air, throwing in aggressive dives, tight proximity tracking and rolls while the automobiles hold long, smoky slides. A white Nissan 350Z and a purple BMW 3 Series coupe are among the vehicles on track. The footage spans broad daylight, sunset and night sessions under floodlights.
The kit behind it is a nazgulXL5 frame on 2207 1800kv motors with a speedybee stack. For video, a caddx vista vtx pairs with a polar starlight camera, and a gopro rides at roughly 10 degrees of tilt. That shallow tilt looks like a smart call to me, since it keeps the cars and the horizon framed together through the slides.
On the editing side, the maker cut it all in davinci resolve using slide and blur dissolve transitions. Those choices give the chase sequences a smooth rhythm, and holding focus on a single car through a full drift takes real stick control.
The one open point for me is the cut craft: some of the moments where cars fly into a transition do not, to my eye, reach pro polish yet. Whether that gets refined in a future edit is the question I would most like answered.