Najlepiej poszukac na stronie poswieconej samolotom z pierwszej wojny:
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opis zaczerpnalem z opisu budowy samolotu Albatros D.III
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I replicated the wood grain finish on the fuselage. Previously, I had good success using a dry brushing technique with a rake brush that I used for smaller pieces. Starting with the white finish, I lightly dry brushed successive colors of TMM Raw Umber, Raw Sienna, Burnt Sienna, and Burnt Umber atop each other in a random pattern. I then dry brushed with a rake brush Humbrol Oak (#71) to randomly cover and let peek through the underlying dry brushed colors in an approximate wood grain pattern. After letting this cure overnight I shot many coats of Gunze Sangyo (GS) Clear Yellow (H91) to get that Albatros wood grain yellow look. A word of caution, you must apply many, many, many coats of clear yellow (I probably did about 10-12) to get that nice rich honey amber hue. After letting the yellow coat cure for a day I then masked the forward fuselage and shot GS RLM Gray 02 (H70). After a day of drying time, I sprayed a light coat of Future in preparation for decaling.
Niektore artykuly maja niezle zdjecia obrazujace ta technike, niektore tylko opis. Wojciech Butrycz chyba kilka razy opisal taka metode malowania (na pewno na lamach SAMI i wydaje mi sie, ze pisal o tym w Mini Replice).
Pozdrawiam, Lukasz