=>John Turner wrote: =>
=>> "fladda" wrote =>> =>> > Part of the problem with producing good ready to run models in the UK =>> > appears to be the relative scaresity of *accurate* drawings. =>> =>> Good grief, I despair, why when there are examples of the prototype in =>> preservation is *scarcity of accurate drawings* an issue? =>> =>> All the model makers have got to do is go measure up one of the preserved =>> examples, and seek out the manufacturers' works drawings and compare these =>> with their own findings. =>
=>
=>Have you tried this? I spent 2 Saturdays a month over a period =>of 18 months going over Tulyar.
Now translate that into salaried time.... It's astonishing to me what peolple will think is "just a simple job of measuring." Merely comparing design drawings to works drawinsg can take hours. And comparing either to as-built will take days, as you've mentioned. For that matter, a shop crew may spend a great deal of time trying to figure otu which drawings they should rely one when faced with repair of a much modified engine....
Also, people put far too much trust in "preserved locos." These have all been "restored", which means someone had to interpret whatever data were available to bring the engine to some specified condition, about which there will be limited information. For example, what do you do when it's known that some locos in a batch received certain mods and others didn't, but there's an incomplete paper trail to determine which did and didn't, and your loco happens not to have been recorded on film at the crucial time? While major dimensions will be reliable, details and their placement will be matter of opinion. And it's amazing how much information about paint has gone missing. Not to mention the fact that often the "restored" loco is a melange of parts from all over the place... Etc.
IOW, all information about the past is unreliable is some respects; and as often as not we just don't know where reliability ends.
Already in this thread people have pointed out errors in various published sources. The authors obviously didn't have the vast resources available to the critics. :-) Or else the critics have been sitting on valuable data instead of sharing it by donating it to some preservation society or museum. Most likely, though, the authors did the best they could interpreting conflicting data and trying to fill gaps with reasonable guesses. AFAIK, all such published books are labours of love - even the ones issued under the imprint of a museum. If the crirtcis have reliable infoprmation, good, let them publish it as a corrections or addtions to the book; but don't criticise an author for not having data that only you have, or for intepreting ambiguities as best they could.
Wolf Kirchmeir ................................. If you didn't want to go to Chicago, why did you get on this train? (Garrison Keillor)